Reclaiming Intersectional Representations in Comic Books//Abigail Walsh

https://www.bbc.com/news/blogs-trending-45331730


In recent years popular culture has shifted some focus from traditional comic book characters – male, hyper-masculine, white - to characters with more diverse identities. Black Panther broke the box office and was welcomed with critical acclaim (Coogler, 2018). In the excitement for the new Captain Marvel movie, writers have called the female character “the most powerful hero the MCU has ever seen” (Gilyadov, 2018). Marvel has also introduced a Muslim-American female superhero, Ms. Marvel, who is the first Muslim character to headline her own continuing solo series (Berlatsky, 2014). These examples of diversity in comic books is important. People tend to identify with characters who are most like themselves (Bandura, 2001; Hoffner, 1996) and it is important, especially for young people to experience this process of identification through media. We also know that exposure to diverse media can change people’s rigid and stereotypical attitudes (Browne Graves, 1999). It is essential, then, to create media and popular culture that is reflective of the diverse populations who read and consume comic culture.

Despite some of these impressive strides, some individuals and comic creators have found the representation of people with intersecting identities from marginalized communities to be stereotypical or lacking entirely. Some have noticed this and taken control. These creators are working to reclaim characters and stories in the industry that represent people from their own communities

When they can’t see themselves in the comic industry, some comic creators are writing their own stories when. Priya Dali is one such example. Dali explores themes of gender roles as a queer Indian woman. Her recent work explores these gender roles in childhood through “ghar ghar”, or playing house (Chaudhuri, 2018). There are others who do this work. Dozens of transgender writers are working to change representation and have largely been able to do so because of the increasing presence of online comics (Mey, 2014).

Other comic critiques and creators are reimagining mainstream comic book characters. Lifelong comic lover, Sara Alfageeh, became critical of the way Dust, a Marvel X-Men character, was being portrayed (Pierpoint, 2018). Dust is a mutant from Afghanistan and is written as a character with a strong cultural and traditional background, who wears a niqab. However, Alfageeh has leveed critique against Marvel’s choices for depicting a traditional Muslim character. Marvel’s portrayal has Dust in a form-fitting revealing niqab that sexualizes a character who is supposed to be wearing a full body niqab. Alfageeh has created her own illustrations to demonstrate ways in which Marvel could have created modern and interesting clothing for Dust to wear that are more representative of  the ways this character could dress. These illustrations have been getting a lot of fan support online and even attracted the interest of Zac Thompson, an X-Men writer (Pierpoint, 2018).

These creators, and others, are actively working against the historically stereotypical representations of marginalized groups and working to include identities that are often left out of comics, graphic novels, and popular culture entirely. If we have a goal as a society to create a more diverse and inclusive world, one way to accomplish this is by creating diverse and inclusive media. The more diverse voices are, the more stories get to be told.


References

Bandura, A. (2001). Social cognitive theory: An agentic perspective. Annual Review of Psychology, 52, 1–26. doi: 10.1146/annurev.psych.52.1.1

Berlatzky, N. (2014, March 20). What makes the Muslim Ms. Marvel awesome: She’s just like everyone else. Retrieved from: https://www.theatlantic.com/entertainment/archive/2014/03/what-makes-the-muslim-em-ms-marvel-em-awesome-shes-just-like-everyone/284517/

Browne Graves, S. (1999). Television and prejudice reduction: When does television as a vicarious experience make a difference? Journal of Social Issues, 55, 707–727. doi: 10.1111/0022-4537.00143

Chaudhuri, Z. R. (2018, August 31). A queer Indian artist is exploring her sexual identity through a comic book. Retrieved from: https://scroll.in/magazine/890464/a-queer-indian-artist-is-exploring-her-sexual-identity-through-a-comic-book

Coogler, R. (2018, February 14). Black Panther – the most radical superhero yet? Discuss with spoilers. Retrieved from: https://www.theguardian.com/film/2018/feb/14/black-panther-superhero-film-discuss-with-spoilers-ryan-coogler


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